Step 1
Describe it
Write the shot the way you'd pitch it to a DP. Add a reference image if you have one.
Tonight's reel
Every shot started as one sentence.
Open any shot to see the crew settings behind it: camera, lens, light and film stock. Then remix it with your own subject.
The studio
Make it, then make it yours.
A live preview of the studio you can click through. Every edit is a new take, and any take can start, end or guide the next one. Open the studio to make real takes.
Try it: write a shot and press Generate · drag any take onto Start to continue it · ⌘K finds anything
Your crew
Pick the camera. Feel the difference.
Every camera has a look. Choose one and the shot changes with it: grain, colour, flare and the way motion breathes.
Digital cinemaClean, wide latitude, big-screen sharp
Film Look: grain, colour and format applied on top of your exact frames. It doesn’t change perspective, depth of field or the lens. Pick a camera when you create a new shot for that.
35mmf/8
Change the lens on the same shot.
Longer lenses pull the background closer and flatten the space. Wider apertures melt it into blur. Drag either dial.
24355085
f/1.4f/2.8f/5.6f/16
Preview image. Your chosen scene is re-rendered at each focal length for the real thing.
How it works
From a sentence to a shot.
You stay in the director's chair the whole way. Creamori suggests, you decide, and anything you lock stays exactly as you set it.
Step 2
Set your crew
Creamori proposes camera, lens, light and film for the shot. Keep any of them, change them, or lock them.
- Camera
- Handheld, shoulder height
- Lens
- 50mm at f/1.8
- Light
- Neon signs, wet asphalt
- Film
- Vision3 250D, pushed 1 stop
Step 3
Render it
Pick the video model for the job and render. Keep the takes you like and remix the rest.
Technique library
Borrow from the masters.
Ten moves from film history, ready to drop into your shot. Hover or tap a name to watch it, then use it and Creamori sets the crew for that look.